Pierre Auguste Renoir The Boating Party Lunch paintingPierre Auguste Renoir Dance in the Country paintingPierre Auguste Renoir Dance in the City painting
Then he saw the empty whisky bottles. Pamela had started drinking, she said, some hours back, and since then she had been going at it steadily, rhythmically, with the dedication of a long-distance runner. He sat down beside her on her low, squashy sofa-bed, and offered to act as a pacemaker. "Whatever you want," she said, and passed him the bottle.
Now, sitting up in bed with a thumb instead of a bottle, his secret and his hangover banging equally painfully inside his head (he had never been a drinking or a secretive man), Jumpy felt tears coming on once again, and decided to get up and walk himself around. Where he went was upstairs, to what Saladin had insisted on calling his "den", a large loft--space with skylights and windows looking down on an expanse of communal dotted with comfortable trees, oak, larch, even the last of the elms, a survivor of the This question applies to both men and women: would you marry solely for money?
I ran into an old acquaintance (and I deliberately use the word acquaintance rather than friend) the other day who left me in no doubt that she definitely would.
Friday, October 31, 2008
Thursday, October 30, 2008
Juan Gris Landscape with Houses at Ceret painting
Juan Gris Landscape with Houses at Ceret paintingJuan Gris Landscape at Ceret paintingJuan Gris Harlequin with Guitar painting
longer his own to command, that somebody else's needs were in charge. Owing to the bewildering nature of recent events, and also to his determination to stay awake as much as possjble, it was a few days before he connected what was going on to the world behind his eyelids, and only then did he understand that he had to get away, because the universe of his nightmares had begun to leak into his waking, and if he was not careful he would never manage to begin again, to be reborn with her, through her, Alleluia, who had seen the roof of the world. The simple solution to this is to buy good machinery, and get professional help tweaking if you need it. Make sure you’re set up the best way possible, and protected from major failure. Yea, I know it’s expensive. But how much is your time worth?#2 — Interruptions and Distractions
It’s a known fact that every time we get interrupted or sidetracked our brains need a certain amount of time to get back into the original activity. Sometimes this can be a minute or two, other times it can be a lot longer
He was shocked to realize that he had made no attempt to contact Allie at all; or to help Chamcha in his time of need. Nor had he been at all perturbed by the appearance on Saladin's head of a pair of fine new horns, a thing that
longer his own to command, that somebody else's needs were in charge. Owing to the bewildering nature of recent events, and also to his determination to stay awake as much as possjble, it was a few days before he connected what was going on to the world behind his eyelids, and only then did he understand that he had to get away, because the universe of his nightmares had begun to leak into his waking, and if he was not careful he would never manage to begin again, to be reborn with her, through her, Alleluia, who had seen the roof of the world. The simple solution to this is to buy good machinery, and get professional help tweaking if you need it. Make sure you’re set up the best way possible, and protected from major failure. Yea, I know it’s expensive. But how much is your time worth?#2 — Interruptions and Distractions
It’s a known fact that every time we get interrupted or sidetracked our brains need a certain amount of time to get back into the original activity. Sometimes this can be a minute or two, other times it can be a lot longer
He was shocked to realize that he had made no attempt to contact Allie at all; or to help Chamcha in his time of need. Nor had he been at all perturbed by the appearance on Saladin's head of a pair of fine new horns, a thing that
Wednesday, October 29, 2008
Caravaggio The Entombment of Christ painting
Caravaggio The Entombment of Christ paintingCaravaggio The Crucifixion of Saint Peter paintingCaravaggio The Cardsharps painting
a panic begins, O God, he cries out, O allgood allahgod, I've had my bloody chips, me. Got bugs in the brain, full mad, a looney tune and a gone when he first saw the archangel: thought he was cracked, wanted to throw himself down from a rock, from a high rock, from a rock on which there grew a stunted lote-tree, a rock as high as the roof of the world.
He's coming: making his way up Cone Mountain to the cave. Happy birthday: he's forty-four today. But though the city behind and below him throngs with festival, up he climbs, alone. No new birthday suit for him, neatly pressed and folded at the foot of his bed. A man of ascetic tastes. (What strange is this?)
Question: What is the opposite of faith?
Not disbelief. Too final, certain, closed. Itself a kind of belief.
Doubt.
The human condition, but what of the angelic? Halfway between Allahgod and homosap, did they ever doubt? They did: challenging God's will one
a panic begins, O God, he cries out, O allgood allahgod, I've had my bloody chips, me. Got bugs in the brain, full mad, a looney tune and a gone when he first saw the archangel: thought he was cracked, wanted to throw himself down from a rock, from a high rock, from a rock on which there grew a stunted lote-tree, a rock as high as the roof of the world.
He's coming: making his way up Cone Mountain to the cave. Happy birthday: he's forty-four today. But though the city behind and below him throngs with festival, up he climbs, alone. No new birthday suit for him, neatly pressed and folded at the foot of his bed. A man of ascetic tastes. (What strange is this?)
Question: What is the opposite of faith?
Not disbelief. Too final, certain, closed. Itself a kind of belief.
Doubt.
The human condition, but what of the angelic? Halfway between Allahgod and homosap, did they ever doubt? They did: challenging God's will one
Tuesday, October 28, 2008
Thomas Moran Fort George Island painting
Thomas Moran Fort George Island paintingThomas Moran Cliffs of Green River paintingThomas Moran A Pastoral Landscape painting
eyes. Gibreel Farishta, the movie star who had unaccountably vanished from view, rotted on the hoardings. Rubble, litter, noise. Cigarette advertisements smoking past: SCISSORS -- FOR THE MAN OF ACTION, SATISFACTION. And, more improbably: PANAMA -- PART OF THE GREAT INDIAN SCENE.
"Where are we going?" The night had acquired the quality of green neon strip--lighting. Zeeny parked the car. "You're lost," she accused him. "What do you know about Bombay? Your own city, only it never was. To you, it's a dream of childhood. Growing up on Scandal Point is like living on the moon. No bustees there, no sirree, only servants' quarters. Did Shiv Sena elements come there to make communal trouble? Were your neighbours starving in the textile strike? Did Datta Samant stage a rally in front of your bungalows? How old were you when you met a trade unionist? How old the first time you got on a local train instead of a car with driver? That wasn't Bombay, darling, excuse me. That was Wonderland, Peristan, NeverNever, Oz."
"And you?" Saladin reminded her. "Where were you back then?"
"Same place," she said fiercely. "With all the other bloody Munchkins."
eyes. Gibreel Farishta, the movie star who had unaccountably vanished from view, rotted on the hoardings. Rubble, litter, noise. Cigarette advertisements smoking past: SCISSORS -- FOR THE MAN OF ACTION, SATISFACTION. And, more improbably: PANAMA -- PART OF THE GREAT INDIAN SCENE.
"Where are we going?" The night had acquired the quality of green neon strip--lighting. Zeeny parked the car. "You're lost," she accused him. "What do you know about Bombay? Your own city, only it never was. To you, it's a dream of childhood. Growing up on Scandal Point is like living on the moon. No bustees there, no sirree, only servants' quarters. Did Shiv Sena elements come there to make communal trouble? Were your neighbours starving in the textile strike? Did Datta Samant stage a rally in front of your bungalows? How old were you when you met a trade unionist? How old the first time you got on a local train instead of a car with driver? That wasn't Bombay, darling, excuse me. That was Wonderland, Peristan, NeverNever, Oz."
"And you?" Saladin reminded her. "Where were you back then?"
"Same place," she said fiercely. "With all the other bloody Munchkins."
Pierre Auguste Renoir Dance at Bougival painting
Pierre Auguste Renoir Dance at Bougival paintingMary Cassatt Children Playing On The Beach paintingMary Cassatt Tea painting
reconstructed affair of mimicry and voices, it intended to bypass all that, and he found himself surrendering to it, yes, go on, as if he were a bystander in his own mind, in his own body, because it began in the very centre of his body and spread outwards, turning his blood to iron, changing his flesh to steel, except that it also felt like a fist that enveloped him from outside, holding him in a way that was both unbearably tight and intolerably gentle; until finally it had conquered him totally and could work his mouth, his fingers, whatever it chose, and once it was sure of its dominion it spread outward from his body and grabbed Gibreel Farishta by the balls.
"Fly," it commanded Gibreel. "Sing."
Chamcha held on to Gibreel while the other began, slowly at first and then with increasing rapidity and force, to flap his arms. Harder and harder he flapped, and as he flapped a song burst out of him, and like the song of
reconstructed affair of mimicry and voices, it intended to bypass all that, and he found himself surrendering to it, yes, go on, as if he were a bystander in his own mind, in his own body, because it began in the very centre of his body and spread outwards, turning his blood to iron, changing his flesh to steel, except that it also felt like a fist that enveloped him from outside, holding him in a way that was both unbearably tight and intolerably gentle; until finally it had conquered him totally and could work his mouth, his fingers, whatever it chose, and once it was sure of its dominion it spread outward from his body and grabbed Gibreel Farishta by the balls.
"Fly," it commanded Gibreel. "Sing."
Chamcha held on to Gibreel while the other began, slowly at first and then with increasing rapidity and force, to flap his arms. Harder and harder he flapped, and as he flapped a song burst out of him, and like the song of
Monday, October 27, 2008
Gustav Klimt Sea Serpents painting
Gustav Klimt Sea Serpents paintingVincent van Gogh Self Portrait paintingVincent van Gogh Sunflowers painting
Daily Plate, where you log your food and exercise and other people can look at your log and post comments, are also good accountability tools. If you don’t use one of these online tools, at least have a group of friends and family to whom you give updates on your training, in person or through email. 7. Eat when you’re hungry, stop when you’re full. This seems like such basic advice but the problem is many of us don’t follow it. We’re out of tune with our bodies and instead eat when it’s “time to eat” or when we have time or when we’re out with others and , whether at work or on the road, and eat when you’re a little or moderately hungry. If you wait until you’re ravenous, you’ll overeat. Second, don’t keep eating if you’re satiated. Many times we are so ravenous that we eat past the point when we’re full, and then we’re stuffed. Or we eat seconds or even thirds because the food tastes so good, or because we’re too busy talking or watching TV to realize we’re full. Learn to eat slower, to pause in your eating for a few minutes even if you don’t think you’re full yet, and to listen to your body. Sometimes if you just wait for 5 minutes, you’ll realize you really are full. Avoiding overeating is crucial to getting leaner.
Daily Plate, where you log your food and exercise and other people can look at your log and post comments, are also good accountability tools. If you don’t use one of these online tools, at least have a group of friends and family to whom you give updates on your training, in person or through email. 7. Eat when you’re hungry, stop when you’re full. This seems like such basic advice but the problem is many of us don’t follow it. We’re out of tune with our bodies and instead eat when it’s “time to eat” or when we have time or when we’re out with others and , whether at work or on the road, and eat when you’re a little or moderately hungry. If you wait until you’re ravenous, you’ll overeat. Second, don’t keep eating if you’re satiated. Many times we are so ravenous that we eat past the point when we’re full, and then we’re stuffed. Or we eat seconds or even thirds because the food tastes so good, or because we’re too busy talking or watching TV to realize we’re full. Learn to eat slower, to pause in your eating for a few minutes even if you don’t think you’re full yet, and to listen to your body. Sometimes if you just wait for 5 minutes, you’ll realize you really are full. Avoiding overeating is crucial to getting leaner.
Friday, October 24, 2008
Frederic Remington Radisson and Groseilliers painting
Frederic Remington Radisson and Groseilliers paintingThomas Kinkade Yawkey Way paintingThomas Kinkade Town Square painting
OLD WHEN HE BECAME Emperor. Seldom, if ever, in the history of the world has a prince been more enthusiastically acclaimed on his -accession or had an easier task offered him of gratifying the modest wishes of his people, which were only for peace and security. With a bulging treasury, well-trained armies, an excellent administrative system that needed only a little care to get it into perfect order again-for in spite of Tiberius's neglect the Empire was still running along fairly well under the impetus given it by Livia-with all these advantages, added to the legacy of love and confidence he enjoyed as Germanicus's son, and the immense relief felt by Tiberius's removal, what a splendid chance he had of being remembered in history as "Caligula the Good", or "Caligula the Wise", or "Caligula
OLD WHEN HE BECAME Emperor. Seldom, if ever, in the history of the world has a prince been more enthusiastically acclaimed on his -accession or had an easier task offered him of gratifying the modest wishes of his people, which were only for peace and security. With a bulging treasury, well-trained armies, an excellent administrative system that needed only a little care to get it into perfect order again-for in spite of Tiberius's neglect the Empire was still running along fairly well under the impetus given it by Livia-with all these advantages, added to the legacy of love and confidence he enjoyed as Germanicus's son, and the immense relief felt by Tiberius's removal, what a splendid chance he had of being remembered in history as "Caligula the Good", or "Caligula the Wise", or "Caligula
Thursday, October 23, 2008
Camille Pissarro Bouquet Of Flowers painting
Camille Pissarro Bouquet Of Flowers paintingCamille Pissarro Boulevard Montmarte paintingClaude Lorrain The Rest on the Flight into Egypt painting
and in the said circumstances. Accused further declared that our gracious Emperor is fast becoming impotent from said alleged debauches and said over-indulgence in aphrodisiac Medicines, and that in order to rally his waning sexual powers he holds private exhibitions every three days or so in a specially decorated underground room of the Palace. Accused declared that the performers at these exhibitions, Spintrians as they are called, come prancing in, three at a time, stark naked…"
He went on in that strain for half an hour and Tiberius did not dare to stop him-or perhaps he wanted to find out just how much was known-until the witness said one thing too many (never mind what it was). Tiberius, forgetting himself, leaped up suddenly, his face crimson, and declared that he would instantly clear himself of these monstrous charges or establish a judicial
and in the said circumstances. Accused further declared that our gracious Emperor is fast becoming impotent from said alleged debauches and said over-indulgence in aphrodisiac Medicines, and that in order to rally his waning sexual powers he holds private exhibitions every three days or so in a specially decorated underground room of the Palace. Accused declared that the performers at these exhibitions, Spintrians as they are called, come prancing in, three at a time, stark naked…"
He went on in that strain for half an hour and Tiberius did not dare to stop him-or perhaps he wanted to find out just how much was known-until the witness said one thing too many (never mind what it was). Tiberius, forgetting himself, leaped up suddenly, his face crimson, and declared that he would instantly clear himself of these monstrous charges or establish a judicial
Wednesday, October 22, 2008
Jean Francois Millet The Walk to Work painting
Jean Francois Millet The Walk to Work paintingJean Francois Millet The flight into Egypt paintingJean Francois Millet The Angelus painting
Have an open mind. Everyone talks about how important having an open mind is. But what they don’t say is how much having an open mind can affect your potential. A lot of opportunities pass us by because we’re stuck in a limited pattern of thinking, or we’re afraid to take a risk. If there’s no actual real (or perceived) danger, take the risk. The worse that can happen is you’ll look silly. Having an open mind is the first step to reaching your potential, because it gives you the willingness to take risks. We’ll never be the best we can be by playing it safe. As the saying goes: “If you always do what you’ve always done, you’ll always be where you’ve always been.”
when I make a mistake, I’ll cringe and think I sounded terrible. After I’m done playing and ask someone if they heard my mistake they usually say “What mistake?” There’s a good chance you see yourself more critically than other people do.
2. Seek out new perspectives and contexts. The more perspectives you seek out, the more you push the boundaries of your mind. If you only focus on one thing, you’ll likely become an expert before long. But if you stay inside your box, you’ll be like a stiff bridge, waiting to collapse when the first hurricane comes through. A well built bridge has give; it has a certain amount of flexibility to it.
Try to push the borders of your thinking. Here are some suggestions
Have an open mind. Everyone talks about how important having an open mind is. But what they don’t say is how much having an open mind can affect your potential. A lot of opportunities pass us by because we’re stuck in a limited pattern of thinking, or we’re afraid to take a risk. If there’s no actual real (or perceived) danger, take the risk. The worse that can happen is you’ll look silly. Having an open mind is the first step to reaching your potential, because it gives you the willingness to take risks. We’ll never be the best we can be by playing it safe. As the saying goes: “If you always do what you’ve always done, you’ll always be where you’ve always been.”
when I make a mistake, I’ll cringe and think I sounded terrible. After I’m done playing and ask someone if they heard my mistake they usually say “What mistake?” There’s a good chance you see yourself more critically than other people do.
2. Seek out new perspectives and contexts. The more perspectives you seek out, the more you push the boundaries of your mind. If you only focus on one thing, you’ll likely become an expert before long. But if you stay inside your box, you’ll be like a stiff bridge, waiting to collapse when the first hurricane comes through. A well built bridge has give; it has a certain amount of flexibility to it.
Try to push the borders of your thinking. Here are some suggestions
Tuesday, October 21, 2008
Gustav Klimt The Kiss (Le Baiser _ Il Baccio) painting
Gustav Klimt The Kiss (Le Baiser _ Il Baccio) paintingGustav Klimt Sea Serpents paintingVincent van Gogh Self Portrait painting
Flavius said he didn't much want to but that it might be an offer to surrender. So the two brothers started shouting at each other across the river. Hermann began talking German, but Flavius said that unless he talked Latin the conversation was at an end. Hermann did not want to talk Latin, which the other chiefs did not understand, for fear of being thought a traitor, and Flavius did not want to be thought a traitor by the Romans, who did not understand German. On the other hand Hermann wanted to make an impression on the Romans, and Flavius on the Germans. Hermann tried to keep to German, and Flavius to Latin, but as they grew more and more heated they fell into such a dreadful mixture of both languages that, as Gennanicus wrote to me, it was as good as a comedy to hear them. I quote from Gennanicus's account of the dialogue.
HERMANN: Hullo, brother. What's happened to your face? That scar's an awful deformity. Lost an eye?
FLAVIUS; Yes, brother. Did you happen to pick one up
Flavius said he didn't much want to but that it might be an offer to surrender. So the two brothers started shouting at each other across the river. Hermann began talking German, but Flavius said that unless he talked Latin the conversation was at an end. Hermann did not want to talk Latin, which the other chiefs did not understand, for fear of being thought a traitor, and Flavius did not want to be thought a traitor by the Romans, who did not understand German. On the other hand Hermann wanted to make an impression on the Romans, and Flavius on the Germans. Hermann tried to keep to German, and Flavius to Latin, but as they grew more and more heated they fell into such a dreadful mixture of both languages that, as Gennanicus wrote to me, it was as good as a comedy to hear them. I quote from Gennanicus's account of the dialogue.
HERMANN: Hullo, brother. What's happened to your face? That scar's an awful deformity. Lost an eye?
FLAVIUS; Yes, brother. Did you happen to pick one up
Pablo Picasso The Old Guitarist painting
Pablo Picasso The Old Guitarist paintingPablo Picasso Girl Before a Mirror paintingClaude Monet Sunflowers painting
GERMANICUS'S THIRD YEAR OF WAS AGAINST THE GERMANS was more successful even than the first two. He had worked out a new plan of campaign, by which he would take the Germans by surprise and save his men a lot of dangerous and weary marching. This was to build on the Rhine a fleet of nearly a thousand transports, embark with most of his forces and sail down the river and, by way of the canal that our father had once cut, through the Dutch lakes and by sea to the mouth of the Ems. Here he would anchor his transports on the near bank, except for a few which would serve for making a pontoon bridge. He would then attack the tribes across the Weser, a river, fordable in places, which runs parallel to the Ems about fifty miles beyond. The plan worked well in every detail.
When the advance-guard reached the Weser they found Hermann and some allied chieftains waiting on the further
GERMANICUS'S THIRD YEAR OF WAS AGAINST THE GERMANS was more successful even than the first two. He had worked out a new plan of campaign, by which he would take the Germans by surprise and save his men a lot of dangerous and weary marching. This was to build on the Rhine a fleet of nearly a thousand transports, embark with most of his forces and sail down the river and, by way of the canal that our father had once cut, through the Dutch lakes and by sea to the mouth of the Ems. Here he would anchor his transports on the near bank, except for a few which would serve for making a pontoon bridge. He would then attack the tribes across the Weser, a river, fordable in places, which runs parallel to the Ems about fifty miles beyond. The plan worked well in every detail.
When the advance-guard reached the Weser they found Hermann and some allied chieftains waiting on the further
Monday, October 20, 2008
Edvard Munch Puberty 1894 painting
Edvard Munch Puberty 1894 painting
Edvard Munch Madonna painting
Premature news that this battle was lost and that the conquering Germans were marching towards the Rhine caused such consternation at the nearest bridge that the captain of the guard gave his men orders to retreat across it and then break it down: which would have meant abandoning everyone on the other side to their fate. But Agrippina was there and countermanded the order. She told the men that she was captain of the guard now and would remain so until her husband returned to relieve her of her command. When eventually the victorious troops came marching back she was at her post to welcome them
Albert Moore silver painting
Her popularity now almost equalled that of her husband. She had organized a hospital for the wounded as Germanicus sent them back after each battle and had given them the best available medical treatment. Ordinarily, wounded soldiers remained with their units until they either died or recovered. The hospital she paid for out of her own purse.
But I mentioned the death of Julia. When Tiberius became Emperor, Julia's daily supply of food at Reggio was reduced to four ounces of bread a day and one ounce of cheese. She was already in a consumption from the
Edvard Munch Madonna painting
Premature news that this battle was lost and that the conquering Germans were marching towards the Rhine caused such consternation at the nearest bridge that the captain of the guard gave his men orders to retreat across it and then break it down: which would have meant abandoning everyone on the other side to their fate. But Agrippina was there and countermanded the order. She told the men that she was captain of the guard now and would remain so until her husband returned to relieve her of her command. When eventually the victorious troops came marching back she was at her post to welcome them
Albert Moore silver painting
Her popularity now almost equalled that of her husband. She had organized a hospital for the wounded as Germanicus sent them back after each battle and had given them the best available medical treatment. Ordinarily, wounded soldiers remained with their units until they either died or recovered. The hospital she paid for out of her own purse.
But I mentioned the death of Julia. When Tiberius became Emperor, Julia's daily supply of food at Reggio was reduced to four ounces of bread a day and one ounce of cheese. She was already in a consumption from the
Daniel Ridgway Knight paintings
Daniel Ridgway Knight paintings
Eric Wallis paintings
Germanicus equal honours with him. Germanicus was also raised a degree in magisterial rank, and allowed to become Consul several years before the customary age. Castor, though he had taken no part in the war, was granted the privilege of attending meetings of the Senate before becoming a member of it, and was also advanced a degree in magisterial rank.
At Rome the populace was looking forward with excitement to the triumph, which would mean largesse in corn and money and all sorts of good things: but a great disappointment was in store for them. A month before the date fixed for the triumph a terrible omen was observed-in Mars Field the temple of the War God was struck by lightning and nearly destroyed-and a few days later news came through from Germany of the heaviest military reverse suffered by Roman arms since Can-has, I might even say since The Allia, not quite four hundred years before. Three regiments had been massacred and all conquests east of the Rhine had been lost at a stroke; it seemed that there
Edmund Blair Leighton paintings
Eric Wallis paintings
Germanicus equal honours with him. Germanicus was also raised a degree in magisterial rank, and allowed to become Consul several years before the customary age. Castor, though he had taken no part in the war, was granted the privilege of attending meetings of the Senate before becoming a member of it, and was also advanced a degree in magisterial rank.
At Rome the populace was looking forward with excitement to the triumph, which would mean largesse in corn and money and all sorts of good things: but a great disappointment was in store for them. A month before the date fixed for the triumph a terrible omen was observed-in Mars Field the temple of the War God was struck by lightning and nearly destroyed-and a few days later news came through from Germany of the heaviest military reverse suffered by Roman arms since Can-has, I might even say since The Allia, not quite four hundred years before. Three regiments had been massacred and all conquests east of the Rhine had been lost at a stroke; it seemed that there
Edmund Blair Leighton paintings
Friday, October 17, 2008
Titian Bacchus and Ariadne painting
Titian Bacchus and Ariadne paintingLorenzo Lotto St Catherine of Alexandria paintingTheodore Chasseriau Apollo and Daphne painting
damage had been done by the rioters. A new tax was imposed about this time to provide money for the German wars, and what with the famine, the fires, and the taxes, the commons began to get restless and openly discuss revolution. Threatening manifestos were pinned at night on the doors of public buildings. A huge Among the people removed from Rome during the famine were the sword-fighters. They were not numerous, but Augustus thought that if there were any civil disturbances they would be likely to play a dangerous part in them. For they were a desperate crew, some of them being men of rank conspiracy was said to be on foot. The Senate offered a reward for all information which would lead to the arrest of a ringleader and many men came forward to win it, informing against their neighbours; but this only made the confusion worse. Apparently no real conspiracy existed, only hopeful talk of conspiracies. Eventually corn began to come in from Egypt, where the harvest is much earlier than ours, and the tension relaxed.
damage had been done by the rioters. A new tax was imposed about this time to provide money for the German wars, and what with the famine, the fires, and the taxes, the commons began to get restless and openly discuss revolution. Threatening manifestos were pinned at night on the doors of public buildings. A huge Among the people removed from Rome during the famine were the sword-fighters. They were not numerous, but Augustus thought that if there were any civil disturbances they would be likely to play a dangerous part in them. For they were a desperate crew, some of them being men of rank conspiracy was said to be on foot. The Senate offered a reward for all information which would lead to the arrest of a ringleader and many men came forward to win it, informing against their neighbours; but this only made the confusion worse. Apparently no real conspiracy existed, only hopeful talk of conspiracies. Eventually corn began to come in from Egypt, where the harvest is much earlier than ours, and the tension relaxed.
Thursday, October 16, 2008
Gustave Courbet Marine painting
Gustave Courbet Marine paintingGustave Courbet Woman with a Parrot paintingCamille Pissarro The Hermitage at Pontoise painting
imprudent enough to approach Livia, whom she feared but trusted, and ask her advice. Livia gave her a love-philtre, which she was to drink, saying that within a year it would make her irresistible to her husband, but that she must take it once a month, at full moon, and make certain prayers!: O Venus, saying nothing about it to a living soul, or the drug would lose its virtue and do her a great deal of harm. What Livia very cruelly gave her was a distillation of the crushed bodies of certain little green flies, from Spain, which so stimulated her sexual appetite that she became like a demented woman. (I will explain later how I came to learn all this.) For a while indeed she fired Tiberius's appetite by the abandoned wantonness to which the drug drove her, against her natural modesty; but soon she wearied him and he refused to have any further marital commerce with her. She was forced by the action of the drug, which I suppose became a habit with her, to satisfy her sexual cravings by adulterous intercourse with whatever young courtiers she could trust to behave with discretion she did this in Rome, I mean: in Germany and France she
imprudent enough to approach Livia, whom she feared but trusted, and ask her advice. Livia gave her a love-philtre, which she was to drink, saying that within a year it would make her irresistible to her husband, but that she must take it once a month, at full moon, and make certain prayers!: O Venus, saying nothing about it to a living soul, or the drug would lose its virtue and do her a great deal of harm. What Livia very cruelly gave her was a distillation of the crushed bodies of certain little green flies, from Spain, which so stimulated her sexual appetite that she became like a demented woman. (I will explain later how I came to learn all this.) For a while indeed she fired Tiberius's appetite by the abandoned wantonness to which the drug drove her, against her natural modesty; but soon she wearied him and he refused to have any further marital commerce with her. She was forced by the action of the drug, which I suppose became a habit with her, to satisfy her sexual cravings by adulterous intercourse with whatever young courtiers she could trust to behave with discretion she did this in Rome, I mean: in Germany and France she
Tuesday, October 14, 2008
Caravaggio Alof de Wignacourt painting
Caravaggio Alof de Wignacourt paintingBartolome Esteban Murillo Annunciation paintingGuan zeju Reflecting painting
history what monstrous portents had not been seen? Had there not been flashes of armour from the clouds and bloody rain falling? Had not a serpent of gigantic size appeared in the main street of Alexandria and uttered an incredibly loud hiss? Had not the ghosts of dead Pharaohs appeared? Had not their statues frowned? Had not Apis, the sacred bull of Memphis, uttered a bellow of lamentation and burst into tears? This was how my grandmother reasoned with herself.
Most women are inclined to set a modest limit to their ambitions; a few rare ones set a bold limit. But Livia was unique in setting no limit at all to hers, and yet remaining perfectly level-headed and cool in what would be judged in any other woman to be raving madness. It was only little by little that even I, with such excellent opportunities for observing her, came to guess generally what her intentions were. But even so, when the final disclosure came, it came as a shock of surprise. Perhaps
history what monstrous portents had not been seen? Had there not been flashes of armour from the clouds and bloody rain falling? Had not a serpent of gigantic size appeared in the main street of Alexandria and uttered an incredibly loud hiss? Had not the ghosts of dead Pharaohs appeared? Had not their statues frowned? Had not Apis, the sacred bull of Memphis, uttered a bellow of lamentation and burst into tears? This was how my grandmother reasoned with herself.
Most women are inclined to set a modest limit to their ambitions; a few rare ones set a bold limit. But Livia was unique in setting no limit at all to hers, and yet remaining perfectly level-headed and cool in what would be judged in any other woman to be raving madness. It was only little by little that even I, with such excellent opportunities for observing her, came to guess generally what her intentions were. But even so, when the final disclosure came, it came as a shock of surprise. Perhaps
Alphonse Maria Mucha Dance painting
Alphonse Maria Mucha Dance painting
Michelangelo Buonarroti Crucifix painting
Michelangelo Buonarroti Creation of Adam detail painting
were no children of the marriage, seeing that my grandmother had not shown herself unfruitful and that Augustus was reported to be the father of at least four natural children, besides his daughter Julia, who there is no reason for doubting was his own daughter. He was known, moreover to be passionately devoted to my grandmother. The truth will not easily be credited. The truth is that the marriage was never consummated Augustus, though capable enough with other women, found himself as impotent as a child when he tried to have commerce with my grandmother. The only reasonable explanation is that Augustus was, at bottom, a pious man, though cruelty and even ill-faith had been forced on him by the dangers that followed his granduncle Julius Caesar's assassination. He knew that the marriage was impious: this knowledge, it seems, affected him nervously, putting an inner restraint on his flesh.
My grandmother, who had wanted Augustus as an instrument of her ambition rather than as a lover
Michelangelo Buonarroti Crucifix painting
Michelangelo Buonarroti Creation of Adam detail painting
were no children of the marriage, seeing that my grandmother had not shown herself unfruitful and that Augustus was reported to be the father of at least four natural children, besides his daughter Julia, who there is no reason for doubting was his own daughter. He was known, moreover to be passionately devoted to my grandmother. The truth will not easily be credited. The truth is that the marriage was never consummated Augustus, though capable enough with other women, found himself as impotent as a child when he tried to have commerce with my grandmother. The only reasonable explanation is that Augustus was, at bottom, a pious man, though cruelty and even ill-faith had been forced on him by the dangers that followed his granduncle Julius Caesar's assassination. He knew that the marriage was impious: this knowledge, it seems, affected him nervously, putting an inner restraint on his flesh.
My grandmother, who had wanted Augustus as an instrument of her ambition rather than as a lover
Johannes Vermeer The Guitar Player painting
Johannes Vermeer The Guitar Player painting
Jules Joseph Lefebvre Fleurs des Champs painting
But is that just because he’s disciplined? I think it’s mostly because he’s in a situation where there’s public pressure (both positive and negative) to do all of the things listed above. If he doesn’t do them, he might get yelled at or demerited or look bad in front of his peers. If he does do them, he’s an exemplary soldier.
There’s also the fact that after awhile, these things become pleasurable for him. He gets a sense of satisfaction out of staying in shape and keeping things neat. He enjoys the early morning. He feels good about being conscientious about his job.
Claude Monet Regatta At Argenteuil painting
So in the end, it’s not some vague quality (”discipline”) that allows him to stick to these habits, but rather the two secrets of motivation: positive public pressure and enjoyment.
What I Learned From My Experiences
Over the last few years, I’ve been experimenting
Jules Joseph Lefebvre Fleurs des Champs painting
But is that just because he’s disciplined? I think it’s mostly because he’s in a situation where there’s public pressure (both positive and negative) to do all of the things listed above. If he doesn’t do them, he might get yelled at or demerited or look bad in front of his peers. If he does do them, he’s an exemplary soldier.
There’s also the fact that after awhile, these things become pleasurable for him. He gets a sense of satisfaction out of staying in shape and keeping things neat. He enjoys the early morning. He feels good about being conscientious about his job.
Claude Monet Regatta At Argenteuil painting
So in the end, it’s not some vague quality (”discipline”) that allows him to stick to these habits, but rather the two secrets of motivation: positive public pressure and enjoyment.
What I Learned From My Experiences
Over the last few years, I’ve been experimenting
Monday, October 13, 2008
Edward Hopper Soir Bleu painting
Edward Hopper Soir Bleu paintingEdward Hopper Railroad Sunset paintingEdward Hopper Corn Hill Truro Cape Cod painting
Don’t spam, of course – instant lost credibility, that is – but make yourself visible to the people whose attention matters most to you. That might mean joining forums, commenting on blogs, participating in social networks, submitting to social media sites, signing up for a flickr group, or whatever else it will take to get seen by your prospective audience.the Internet as much as anywhere else, credibility is established as much by who you know as by what you know. Build strong relationships with other credible people in your field, whether they are producers, fans, customers, reporters, or wHomever. This is the basic principle underlying Google: if lots of people trust a site (as expressed by linking to it) then Google assumes that site is a good source, and the more trustworthy the sites linking to that site are (as expressed by the number of sites linking to them), the more credible the site is considered to be. Surround yourself with the people you trust the most.
Don’t spam, of course – instant lost credibility, that is – but make yourself visible to the people whose attention matters most to you. That might mean joining forums, commenting on blogs, participating in social networks, submitting to social media sites, signing up for a flickr group, or whatever else it will take to get seen by your prospective audience.the Internet as much as anywhere else, credibility is established as much by who you know as by what you know. Build strong relationships with other credible people in your field, whether they are producers, fans, customers, reporters, or wHomever. This is the basic principle underlying Google: if lots of people trust a site (as expressed by linking to it) then Google assumes that site is a good source, and the more trustworthy the sites linking to that site are (as expressed by the number of sites linking to them), the more credible the site is considered to be. Surround yourself with the people you trust the most.
Friday, October 10, 2008
Edgar Degas Woman Combing Her Hair painting
Edgar Degas Woman Combing Her Hair paintingFrederic Edwin Church Autumn paintingTitian Sacred and Profane Love [detail] painting
am not laying out,” Rufus replied. “I was going to school and my Aunt Hannah told me I didn’t have to go to school today or tomorrow or not till—not for a few days. She said I mustn’t. So I am not laying out. I’m just staying out.”
And another of the boys said, “That’s right. If his daddy is dead he don’t have to go back to school till after the funerl.”
While Rufus had been speaking two other boys had crossed over to join them and now one of them said, “He don’t have to. He can lay out cause his daddy got killed,” and Rufus looked at the boy gratefully and the boy looked back at him, it seemed to Rufus, with deference.
But the first boy who had spoken said, resentfully, “How do you know?”
And the second boy, while his companion nodded, said, “Cause my daddy seen it in the paper. Can’t your daddy read the paper?”
am not laying out,” Rufus replied. “I was going to school and my Aunt Hannah told me I didn’t have to go to school today or tomorrow or not till—not for a few days. She said I mustn’t. So I am not laying out. I’m just staying out.”
And another of the boys said, “That’s right. If his daddy is dead he don’t have to go back to school till after the funerl.”
While Rufus had been speaking two other boys had crossed over to join them and now one of them said, “He don’t have to. He can lay out cause his daddy got killed,” and Rufus looked at the boy gratefully and the boy looked back at him, it seemed to Rufus, with deference.
But the first boy who had spoken said, resentfully, “How do you know?”
And the second boy, while his companion nodded, said, “Cause my daddy seen it in the paper. Can’t your daddy read the paper?”
Thursday, October 9, 2008
Edgar Degas Four Dancers painting
Edgar Degas Four Dancers paintingEdgar Degas dance class paintingEdgar Degas Ballet Rehearsal painting
if a chair had been pulled from under him, he would be left by himself; they hardly even clapped their hands before they walked away. But some of the boys with the nicest faces always took care, before they left, to tell him, “Gee, thanks, Rufus, that was mighty pretty,” and to say, Don’t you forget, you be here tomorrow”; and this more than made up for the thing which never failed to perplex him. Why did they walk off, so suddenly as all that? Why did they all keep looking back and laughing in that queer way; subdued talk, their heads close together, and then those sudden whoops of laughter? It almost seemed as if they were laughing at him. And once when one of the bigger boys suddenly flung up his arms and whirled into the street, piping in a high, squeaky voice, “I’m a little busy bee,” he was quite sure that they had not really liked the song, or him for singing it. But if they didn’t, then why did they ask him to sing it? And then once he heard one of them, far down the block, squeak, “My mama,” and he felt as if something went straight through his stomach
if a chair had been pulled from under him, he would be left by himself; they hardly even clapped their hands before they walked away. But some of the boys with the nicest faces always took care, before they left, to tell him, “Gee, thanks, Rufus, that was mighty pretty,” and to say, Don’t you forget, you be here tomorrow”; and this more than made up for the thing which never failed to perplex him. Why did they walk off, so suddenly as all that? Why did they all keep looking back and laughing in that queer way; subdued talk, their heads close together, and then those sudden whoops of laughter? It almost seemed as if they were laughing at him. And once when one of the bigger boys suddenly flung up his arms and whirled into the street, piping in a high, squeaky voice, “I’m a little busy bee,” he was quite sure that they had not really liked the song, or him for singing it. But if they didn’t, then why did they ask him to sing it? And then once he heard one of them, far down the block, squeak, “My mama,” and he felt as if something went straight through his stomach
Wednesday, October 8, 2008
John William Waterhouse Gather ye rosebuds while ye may painting
John William Waterhouse Gather ye rosebuds while ye may paintingJohn William Waterhouse Gather Ye Rosebuds while ye may paintingLeonardo da Vinci Leda and the Swan painting
Like it or not, life is sales. Even if you aren’t anywhere near the sales department in your work, I’d bet that almost every day you need to persuade, convince or find an agreement with another person.
A key sales (and life) lesson is simply this: just because you don’t get a response, that doesn’t mean the other person isn’t interested. Although we all dislike the pushy salesperson who goes for the hard sell at our expense, I’d say the majority of people are too passive. The assumption usually is: if people don’t respond immediately or come to me, it means they aren’t interested in what I have to offer.
I can think of countless examples where this kind of flawed thinking plagues people
Like it or not, life is sales. Even if you aren’t anywhere near the sales department in your work, I’d bet that almost every day you need to persuade, convince or find an agreement with another person.
A key sales (and life) lesson is simply this: just because you don’t get a response, that doesn’t mean the other person isn’t interested. Although we all dislike the pushy salesperson who goes for the hard sell at our expense, I’d say the majority of people are too passive. The assumption usually is: if people don’t respond immediately or come to me, it means they aren’t interested in what I have to offer.
I can think of countless examples where this kind of flawed thinking plagues people
Tuesday, October 7, 2008
Titian Sacred and Profane Love [detail] painting
Titian Sacred and Profane Love [detail] paintingTitian Bacchus and Ariadne paintingLorenzo Lotto St Catherine of Alexandria painting
herself. After a moment Mary continued, quietly and in control, “What he’s doing is to come in with Jay’s poor body to the undertaker’s and soon now he’ll come Home to us and tell us.”
Hannah continued to look into her gentle and ever more incredulous and shining eyes; she found that she could not speak and that she was nodding, as curtly, and rapidly, almost as if she were palsied. She made herself stop nodding.
“That’s what I think,” Mary said, “and that’s what I’m ready for. But I’m not going to say it, or accept it, or do my husband any such dishonor or danger—not until I know beyond recall that it’s so.”
They continued to gaze into the other’s eyes; Hannah’s eyes were burning because she felt she must not blink; and after some moments a long, crying groan broke from the younger woman and in a low and shaken voice she said, “Oh I do beseech my God
herself. After a moment Mary continued, quietly and in control, “What he’s doing is to come in with Jay’s poor body to the undertaker’s and soon now he’ll come Home to us and tell us.”
Hannah continued to look into her gentle and ever more incredulous and shining eyes; she found that she could not speak and that she was nodding, as curtly, and rapidly, almost as if she were palsied. She made herself stop nodding.
“That’s what I think,” Mary said, “and that’s what I’m ready for. But I’m not going to say it, or accept it, or do my husband any such dishonor or danger—not until I know beyond recall that it’s so.”
They continued to gaze into the other’s eyes; Hannah’s eyes were burning because she felt she must not blink; and after some moments a long, crying groan broke from the younger woman and in a low and shaken voice she said, “Oh I do beseech my God
Marc Chagall Birthday painting
Marc Chagall Birthday paintingGeorges Seurat Sunday Afternoon on the Island of la Grande Jatte paintingWilliam Blake Songs of Innocence painting
steered round to Market Street and into Harbison’s, which sold clothing exclusively for men and boys, and was regarded by his mother, Rufus had overheard, as “tough” and “sporty” and “vulgar.” And it was indeed a world most alien to women; not very pleasant men turned to stare at this spinster with the radiant, appalled little boy in tow; but she was too blind to understand their glances and, sailing up to the nearest man who seemed to be a clerk (he wore no hat) asked briskly, without embarrassment, “Where do I go, please, to find a cap for my nephew?” And the man, abashed into courtesy, found a clerk for her, and the clerk conducted them to the dark rear of the store. “Well, just see what you like,” said Aunt Hannah; and still again, the child was astonished. He submitted so painfully conservative a choice, the first time, that she smelled the fear and hypocrisy behind it, and said carefully, “That is very nice, but suppose we look at some more, first.” She saw the genteel dark serge, with the all but invisible visor, which she was sure would please Mary most,
steered round to Market Street and into Harbison’s, which sold clothing exclusively for men and boys, and was regarded by his mother, Rufus had overheard, as “tough” and “sporty” and “vulgar.” And it was indeed a world most alien to women; not very pleasant men turned to stare at this spinster with the radiant, appalled little boy in tow; but she was too blind to understand their glances and, sailing up to the nearest man who seemed to be a clerk (he wore no hat) asked briskly, without embarrassment, “Where do I go, please, to find a cap for my nephew?” And the man, abashed into courtesy, found a clerk for her, and the clerk conducted them to the dark rear of the store. “Well, just see what you like,” said Aunt Hannah; and still again, the child was astonished. He submitted so painfully conservative a choice, the first time, that she smelled the fear and hypocrisy behind it, and said carefully, “That is very nice, but suppose we look at some more, first.” She saw the genteel dark serge, with the all but invisible visor, which she was sure would please Mary most,
Henri Matisse Blue Nude I 1952 painting
Henri Matisse Blue Nude I 1952 paintingCassius Marcellus Coolidge A Friend in Need paintingEdvard Munch Puberty 1894 painting
wagon as wide a berth as possible, nodding his regret of the racket and his friendliness as he passed; their heads turned, the eyes which followed him could not forgive him his noise. At the top he filled his pipe and watched while the mule and wagon descended, the mule held at the head, his hocks sprung uneasily, hoofs prodding and finding base in the treacherous clay, rump bunched high, the wagon tilting, the block-brakes screeching on the broad iron rim.
Poor damn devils, he thought. He was sure they were bound for the Knoxville market. They had probably waited for the ferry as much as a couple of hours. They would be hopelessly late.
He waited out the lovely sight of the water gaping. The ferry took on its peculiar squareness, its look of exquisite silence. He looked at his watch. Not so bad. He lighted his pipe and settled down to drive. He always felt different once he was across the river
wagon as wide a berth as possible, nodding his regret of the racket and his friendliness as he passed; their heads turned, the eyes which followed him could not forgive him his noise. At the top he filled his pipe and watched while the mule and wagon descended, the mule held at the head, his hocks sprung uneasily, hoofs prodding and finding base in the treacherous clay, rump bunched high, the wagon tilting, the block-brakes screeching on the broad iron rim.
Poor damn devils, he thought. He was sure they were bound for the Knoxville market. They had probably waited for the ferry as much as a couple of hours. They would be hopelessly late.
He waited out the lovely sight of the water gaping. The ferry took on its peculiar squareness, its look of exquisite silence. He looked at his watch. Not so bad. He lighted his pipe and settled down to drive. He always felt different once he was across the river
Monday, October 6, 2008
Paul Cezanne House of Pere Lacroix painting
Paul Cezanne House of Pere Lacroix paintingPaul Cezanne Flowers in a Blue Vase paintingPaul Cezanne Five Bathers painting
Well, she was wrong.’
‘Do any of you Catholics know what good you think this priest can do?’ I asked. ‘Do you simply want to arrange it so that your father can have Christian burial? Do you want to keep him out of hell? I only want to be told.’
Brideshead told me at some length, and when he had finished Cara slightly marred the unity of the Catholic front by saying in simple wonder, ‘I never heard that before.’
‘Let’s get this clear,’ I said; ‘he has to make an act of will; he has to be contrite and wish to be reconciled; is that right? But only God knows whether he has really made an act of will; the priest can’t tell; and if there isn’t a priest there, and he makes the act of will alone, that’s as good as if there were a
Well, she was wrong.’
‘Do any of you Catholics know what good you think this priest can do?’ I asked. ‘Do you simply want to arrange it so that your father can have Christian burial? Do you want to keep him out of hell? I only want to be told.’
Brideshead told me at some length, and when he had finished Cara slightly marred the unity of the Catholic front by saying in simple wonder, ‘I never heard that before.’
‘Let’s get this clear,’ I said; ‘he has to make an act of will; he has to be contrite and wish to be reconciled; is that right? But only God knows whether he has really made an act of will; the priest can’t tell; and if there isn’t a priest there, and he makes the act of will alone, that’s as good as if there were a
Sunday, October 5, 2008
Caravaggio Boy with a Basket of Fruit painting
Caravaggio Boy with a Basket of Fruit paintingBartolome Esteban Murillo Inmaculada Museo del Prado paintingBartolome Esteban Murillo Inmaculada de Soult painting
D’you want me to come?’
‘I’d much rather you didn’t.’
‘Celia sent a card with “Bring everyone” written across it in green ink. When do we meet?’
‘In the train. You might pick up my luggage.’
‘If you’ll have it packed soon I’ll pick you up, too, and drop you at the gallery. I’ve got a fitting next door at twelve.’
When I reached the gallery my wife was standing looking through the window to the street. Behind her half a dozen unknown picture-lovers were moving from canvas to canvas, catalogue in hand; they were people who had once bought a wood: cut and were consequently on the gallery’s list of patrons.
‘No one has come yet,’ said my wife. ‘I’ve been here since ten and it’s been very dull.
Whose car was that you came in?’
‘Julia’s.’
‘Julia’s? Why didn’t, you bring her in? Oddly enough, I’ve just been talking
D’you want me to come?’
‘I’d much rather you didn’t.’
‘Celia sent a card with “Bring everyone” written across it in green ink. When do we meet?’
‘In the train. You might pick up my luggage.’
‘If you’ll have it packed soon I’ll pick you up, too, and drop you at the gallery. I’ve got a fitting next door at twelve.’
When I reached the gallery my wife was standing looking through the window to the street. Behind her half a dozen unknown picture-lovers were moving from canvas to canvas, catalogue in hand; they were people who had once bought a wood: cut and were consequently on the gallery’s list of patrons.
‘No one has come yet,’ said my wife. ‘I’ve been here since ten and it’s been very dull.
Whose car was that you came in?’
‘Julia’s.’
‘Julia’s? Why didn’t, you bring her in? Oddly enough, I’ve just been talking
Robert Duval Emotional Dance painting
Robert Duval Emotional Dance paintingRobert Duval Attraction paintingSteve Thoms Sunflowers Field painting
the very rich, and in his speeches seemed to incline to revolutionary policies, flirting, with Communists and Fascists. I heard the Mottrams’ names in conversation; I saw their faces now and again peeping from the Tatler, as I turned the pages impatiently waiting for someone to come, but they and I had fallen apart, as one could in England and only there, into separate worlds, little spinning planets of personal relationship; there is probably a perfect metaphor for the process to be found in physics, from the way in which, I dimly apprehend, particles of energy group and regroup themselves in separate magnetic systems; a metaphor ready to hand for the man who can speak of these things with assurance; not for me, who can only say that England abounded in these small companies of intimate friends, so that, as in this ca
the very rich, and in his speeches seemed to incline to revolutionary policies, flirting, with Communists and Fascists. I heard the Mottrams’ names in conversation; I saw their faces now and again peeping from the Tatler, as I turned the pages impatiently waiting for someone to come, but they and I had fallen apart, as one could in England and only there, into separate worlds, little spinning planets of personal relationship; there is probably a perfect metaphor for the process to be found in physics, from the way in which, I dimly apprehend, particles of energy group and regroup themselves in separate magnetic systems; a metaphor ready to hand for the man who can speak of these things with assurance; not for me, who can only say that England abounded in these small companies of intimate friends, so that, as in this ca
Henri Rousseau Surprise painting
Henri Rousseau Surprise paintingHenri Rousseau Sleeping Gypsy paintingHenri Rousseau Scout Attacked by a Tiger painting
You’ll fall in love,’ I said.MY theme is memory, that winged host that soared about me one grey morning of war-time.
These memories, which are my life - for we possess nothing certainly except the past - were always with me. Like the pigeons of St Mark’s, they were everywhere, under my feet, singly, in pairs, in little honey-voiced congregations, nodding, strutting, winking, rolling the tender feathers of their necks, perching sometimes, if I stood still, on my shoulder; until, suddenly, the noon gun boomed and in a moment, with a flutter and sweep of wings, the pavement was bare and the whole sky above dark with a tumult of fowl. Thus it was that morning of war-time.
‘Oh, pray not. I say, do you think I could have another of those scrumptious meringues?’
You’ll fall in love,’ I said.MY theme is memory, that winged host that soared about me one grey morning of war-time.
These memories, which are my life - for we possess nothing certainly except the past - were always with me. Like the pigeons of St Mark’s, they were everywhere, under my feet, singly, in pairs, in little honey-voiced congregations, nodding, strutting, winking, rolling the tender feathers of their necks, perching sometimes, if I stood still, on my shoulder; until, suddenly, the noon gun boomed and in a moment, with a flutter and sweep of wings, the pavement was bare and the whole sky above dark with a tumult of fowl. Thus it was that morning of war-time.
‘Oh, pray not. I say, do you think I could have another of those scrumptious meringues?’
Saturday, October 4, 2008
Robert Duval The Next Dance painting
Robert Duval The Next Dance paintingRobert Duval The Last Dance paintingRobert Duval Song for a Gentleman painting
chivalrous, otherworldly air and the letters from their contemporaries, written after their deaths, all in varying degrees of articulateness, told the same tale of men who were, in all the full flood of academic and athletic success, of popularity and the promise of great rewards ahead, seen somehow as set apart from their fellows, garlanded victims, devoted to the sacrifice. These men must die to make a world for Hooper; they were the aborigines, vermin by right of law, to be shot off at leisure so that things might be safe for the travelling salesman, with his polygonal pince-nez, his fat wet hand-shake, his grinning dentures. I wondered, as the train carried me farther and farther from Lady Marchmain, whether perhaps there was not on her, too, the same blaze, marking her and hers for destruction by other ways than war. Did she see a sign in the red centre of her cosy grate and hear it in the rattle of creeper on the window-pane, this whisper of doom?
Then I reached Paddington and, returning Home, found Sebastian
chivalrous, otherworldly air and the letters from their contemporaries, written after their deaths, all in varying degrees of articulateness, told the same tale of men who were, in all the full flood of academic and athletic success, of popularity and the promise of great rewards ahead, seen somehow as set apart from their fellows, garlanded victims, devoted to the sacrifice. These men must die to make a world for Hooper; they were the aborigines, vermin by right of law, to be shot off at leisure so that things might be safe for the travelling salesman, with his polygonal pince-nez, his fat wet hand-shake, his grinning dentures. I wondered, as the train carried me farther and farther from Lady Marchmain, whether perhaps there was not on her, too, the same blaze, marking her and hers for destruction by other ways than war. Did she see a sign in the red centre of her cosy grate and hear it in the rattle of creeper on the window-pane, this whisper of doom?
Then I reached Paddington and, returning Home, found Sebastian
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