Thursday, October 9, 2008

Edgar Degas Four Dancers painting

Edgar Degas Four Dancers paintingEdgar Degas dance class paintingEdgar Degas Ballet Rehearsal painting
if a chair had been pulled from under him, he would be left by himself; they hardly even clapped their hands before they walked away. But some of the boys with the nicest faces always took care, before they left, to tell him, “Gee, thanks, Rufus, that was mighty pretty,” and to say, Don’t you forget, you be here tomorrow”; and this more than made up for the thing which never failed to perplex him. Why did they walk off, so suddenly as all that? Why did they all keep looking back and laughing in that queer way; subdued talk, their heads close together, and then those sudden whoops of laughter? It almost seemed as if they were laughing at him. And once when one of the bigger boys suddenly flung up his arms and whirled into the street, piping in a high, squeaky voice, “I’m a little busy bee,” he was quite sure that they had not really liked the song, or him for singing it. But if they didn’t, then why did they ask him to sing it? And then once he heard one of them, far down the block, squeak, “My mama,” and he felt as if something went straight through his stomach

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