Raphael The Holy Family paintingWilliam Bouguereau The Broken Pitcher paintingWilliam Bouguereau Love Takes Flight painting
unscrupulous dispensers of grants-in-aid; the third was itself divided into sub-blocks: one (where I guessed Max was held) for murderers, rapists, extorters of answers by duress, and destroyers of library-books; another for droppers of courses and leapers from dormitory windows; the third for faggots, dykes, and teachers employed in the same departments from which they held degrees. The bottom floor, though smallest in area, was most complexly laid out: in wedge-shaped sections around a central sinkhole were incarcerated (clockwise from the top of the floor-plan) "make-out artists" (sic); "apple-polishers and brownies"; purveyors of "cribs" and "ponies"; impostors and charlatans; sellers of rank, tenure, absentee-excuses, and false ID-cards; users of academic distinction for social, political, or mercenary ends; cribbers and plagiarists; malicious faculty advisors and dormitory counselors; organizers of panty-raids, interfraternity brawls, and departmental cliques; and what the chart called "bullslingers and snowmen." In rings around the sinkhole
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