Wednesday, August 20, 2008

John Singer Sargent Atlantic Storm painting

John Singer Sargent Atlantic Storm paintingRembrandt The Elevation Of The Cross paintingRembrandt David and Uriah painting
Project." A famous teacher in his own right by then, Greene met the youngster with a scowl and only after much persuasion agreed to listen to a dozen pages. Refusing even to sit, he paced the floor of his office with every prejudice in his expression (so Stoker declared) as the reading began. At the end of page one he stood still; halfway through the second he was weeping; by the third he was on his knees at the young man's feet, begging his pardon and declaring it was "the GILES's very voice" that sounded off the pages!
Thus was bornThe Revised New Syllabus, which like its narrator and its evangels was destined for arduous vicissitudes. Those Gilesians whose teaching it contradicted -- some of them chairmen of their own departments by that time -- charged that the work was spurious, concocted either by WESCAC or by the upstart Stoker Giles, perhaps both, if not by the "Dean o' Flunks" himself.* The most antipathetic went so far as to deny that

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