Edgar Degas After the Bath painting

Edgar Degas After the Bath paintingFrida Kahlo What the Water Gave Me painting
conciliation, understanding—something—it was hard to tell. It was an odd picture because from where he sat Culver was the only one in the tent who could see, at the same instant, both of their expressions. In the morbid, comfortless light they were like classical Greek masks, made of chrome or tin, reflecting an almost theatrical disharmony: the Colonel's fleeting grin sculpted cleanly and prettily in the unshadowed air above the Captain's darkened, downcast face where, for a flicker of a second, something outraged and agonized was swiftly graven and swiftly scratched out. The Colonel's smile was not complacent or unfriendly. It was not so much as if he had achieved a triumph but merely equilibrium, had returned once more to that devout, ordered state of communion which the Captain's words had ever so briefly disturbed. At that moment Culver almost liked the Colonel, in some negative way which had nothing to do with affection, but to which "respect," though he hated the word, was the nearest approach. At least it was an honest smile, no matter how faint. It was